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Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
When age really is just a number
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When age really is just a number
21 Sept 02:42Key points summarised by AI
Thailand's elderly population, now over 20% of the total, actively defies traditional notions of old age, remaining engaged in the workforce, pursuing hobbies, and embracing new experiences.
Individuals like 74-year-old marathon runner Tanong Metacharoenwit and 72-year-old Grabfood delivery driver Wichai Termtanawat exemplify seniors who continue to work, pursue passions, and meet new challenges.
From 75-year-old Instagram foodie Pensri Pansab sharing her culinary creations to 65-year-old Grabcar driver Decha Charoenkijkachornchai adopting ride-hailing technology, many seniors leverage modern tools and platforms to enrich their lives and maintain independence.
These active seniors highlight that continued engagement, learning, and social interaction contribute significantly to their happiness, sense of purpose, and overall well-being, challenging the idea of a sedentary retirement.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.