Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Spiritual stories under the skin
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Spiritual stories under the skin
13 Sept 10:31Key points summarised by AI
The National Gallery's "Trance Figuration" exhibition unveils the spiritual and cultural significance of sacred tattoos (Sak Yant) from Thailand and Southeast Asia.
Showcasing the work of French photographer Cedric Arnold, the exhibition documents the deep spiritual roots and protective power of these tattoos, including profound trance states observed during Wai Khru ceremonies.
The mixed-media display emphasizes that these tattoos serve as ancient forms of protection, magic spells, and symbols of honor, distinguishing them from contemporary Western body art.
Visitors are immersed in the tradition through photography, film, audio, and installations, revealing how the human body becomes a canvas for sacred texts and mythical figures.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.