Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Putting Yala back on track by turning it into a center of Malay fashion
AI In-Brief
Thailand News in Brief
Thai PBS World
Thailand and the world, every day
AI can make mistakes. Please double-check.
Putting Yala back on track by turning it into a center of Malay fashion
13 Sept 11:12Key points summarised by AI
Yala City Municipality is launching the "Pakaian Melayu" exhibition (Aug 5-7) to establish itself as a center for Malay fashion, aiming to boost the local economy and well-being post-COVID.
The three-day event will feature sales, exhibitions, design contests, fashion shows, and workshops, anticipated to attract 6,000 participants from Thailand, Indonesia, Malaysia, and Brunei.
Mayor Pongsak Yingchoncharoen envisions Yala leveraging its strong fashion potential and significant Muslim population to foster local entrepreneurs, develop unique brands, and transform the city's image.
This initiative, along with the successful Yala Marathon, is part of a strategic plan to rehabilitate the economy, enhance local pride, and position Yala as a smart city, offering visitors positive first-hand experiences.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.