Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Slower growth for “future food” projected this year
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Slower growth for “future food” projected this year
13 Sept 10:59Key points summarised by AI
Thailand's "future food" market, including plant-based meat, is projected for slower growth of 5.1% in 2022, reaching 4.1 billion baht, primarily due to high inflation and reduced consumer purchasing power.
The relatively high price of alternative protein products limits their affordability for low- and middle-income consumers, hindering broader market penetration despite growing interest from eco-conscious individuals and flexitarians.
SMEs in the industry face challenges from rising ingredient costs, prompting a strategic shift towards developing products using more affordable, locally sourced ingredients like mung beans, jackfruit, and banana flowers.
Experts anticipate mass adoption of plant-based and other future foods could take 5-10 years, emphasizing the need for continuous product innovation, affordability, and crucial government support for R&D to unlock export potential.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.