Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
A perfect departure
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A perfect departure
13 Sept 11:36Key points summarised by AI
Advocates increasingly champion the 'right to depart well,' defining it as a peaceful, dignified death with less suffering, emphasizing individual choice in end-of-life care.
Dr. Daeng, a palliative care advisor, stresses patient autonomy, asserting that individuals, not family, should decide their final journey, noting that a 'good departure' varies greatly among people.
Open communication and truth-telling are crucial, enabling patients to prepare for their departure and fulfill last wishes, as exemplified by the Nam Kaeng case where a young girl and her family prepared spiritually for a peaceful transition.
A 'good departure' involves comprehensive preparation, including appropriate medical care, emotional support, and spiritual understanding, ensuring a calm mind and a sense of peace for the patient and loved ones.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.