What’s hot and what’s not in the year to come

13 Sept 14:59 Key points summarised by AI

Digital convenience and flexible work models dominate: Cashless payments, e-tickets, and voice search are in, while "work from anywhere" replaces "work from home" as the preferred flexible work arrangement.
Entertainment shifts towards diverse and immersive experiences: TikTok and boy romance series gain popularity, alongside large-scale music festivals, signaling a preference for engaging and communal content over traditional formats and solo concerts.
Local flavors and unique venues redefine lifestyle choices: Thai desserts like Ba-bin, Isan-styled raw meat (Soi-ju), and "secluded bars" (bar lup) are trending, as are cafes in charming old buildings, reflecting a desire for authentic and distinctive experiences.
Personal growth and conscious consumption drive new trends: The rise of EV cars, realistic female characters in media, and self-help books indicate a societal focus on sustainability, equality, and continuous self-improvement.

Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok

Today 15:13 Key points summarised by AI

"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.