Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Opening the doors to sacred writings
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Opening the doors to sacred writings
21 Sept 02:44Key points summarised by AI
The "R.E. 242: View Lai Rod Nam Cabinet, and Appreciate the Works of Art" exhibition is now on view at Bangkok's Thawornwatthu Building, showcasing 47 antique manuscript storage cabinets.
These exquisite cabinets, crafted by Rattanakosin master artisans using the intricate Lai Rod Nam technique, traditionally served to house and preserve sacred Buddhist scriptures, embodying profound religious devotion.
The exhibition reveals the diverse artistry on these cabinets, featuring intricate depictions ranging from combat scenes of the Ramakien and Buddha's lives to mystical Himmapan forest narratives and unique stories like the "Sai Ew" cabinet illustrating "Journey to the West."
Visitors can explore the historical evolution of these cabinets, understanding their form and function across different Thai periods and appreciating them as a significant union of art and religious faith.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.