Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Burmese heritage building in Lampang comes back to life
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Burmese heritage building in Lampang comes back to life
20 Sept 02:48Key points summarised by AI
A century-old Burmese monastery, Wat Mon Cham Sin in Lampang, Thailand, has been meticulously restored after four years of extensive work, revealing its original architectural beauty.
The restoration revives a crucial spiritual and cultural center established by ethnic Burmese migrants in the 18th and 19th centuries, symbolizing their enduring connection to their heritage.
The 1881 wooden monastery, known as a 'Kyaong,' showcases distinctive Burmese architecture, featuring hierarchical multi-tiered roofs and floor plans, now preserved and open to visitors.
This painstaking project not only rebuilt a dilapidated structure but also breathed new life into a significant heritage site, testifying to the historical presence and cultural contributions of the Burmese community in Lampang.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Yesterday 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.