Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Thai sour curry ‘Kaeng Som’ among the worst dishes? Maybe not...
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Thai sour curry ‘Kaeng Som’ among the worst dishes? Maybe not...
13 Sept 23:50Key points summarised by AI
A TasteAtlas article ranking Thai 'Kaeng Som' as one of the world's worst dishes ignited significant backlash and disagreement within the Thai community, who widely regard it as a beloved national staple.
Food experts suggest the controversial ranking stems from a common foreign preference for coconut-based curries, leading to a potential misunderstanding of clear, sour Thai dishes like Kaeng Som.
Thai culinary professionals assert that such rankings do not define the true value or quality of their food, emphasizing Kaeng Som's deep cultural significance and its complex, balanced profile of sour, salty, and sweet flavors.
Kaeng Som is celebrated for its diverse regional variations, use of fresh proteins and vegetables, and its refreshing, appetite-stimulating qualities, solidifying its place as a unique and essential part of Thai cuisine.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.