Government to start building Chainat-Pasak-Gulf water diversion canal next year
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Is working from anywhere here to stay?
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Is working from anywhere here to stay?
23 Sept 06:52Key points summarised by AI
The pandemic cemented a strong employee preference for flexible work arrangements, driven by a desire for improved work-life balance and a reluctance to return to full-time office work.
Thailand's government has formalized this shift by amending the Labour Protection Act, enabling employers and employees to agree on remote work from anywhere, ensuring equal rights and outlining terms for equipment, costs, and work-life boundaries.
While remote work offers significant benefits like cost savings, reduced commute, and increased personal freedom, it also introduces challenges such as higher household utility bills, limited access to specific office resources, and potential communication issues.
Many employees express a desire for continued flexibility, often preferring hybrid models that combine remote work with in-office days to maintain collaboration, build rapport, and address the varying needs of different job functions.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.