Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
When love is a day full of books and roses
AI In-Brief
Thailand News in Brief
Thai PBS World
Thailand and the world, every day
AI can make mistakes. Please double-check.
When love is a day full of books and roses
13 Sept 14:23Key points summarised by AI
The Mesa312 cultural lab, in collaboration with the Embassy of Spain in Bangkok, hosted a vibrant Sant Jordi Day celebration, inspired by Catalan traditions of exchanging books and roses.
The event at GalileOasis featured extensive activities including seven talk sessions, five workshops, eight book readings, and 20 vendors, showcasing diverse Spanish-speaking, Thai, and international authors.
Attendees enjoyed a wide array of engaging experiences, from art workshops and live musical performances to savoring Spanish cuisine, author signings, and opportunities to donate books for children in need.
The celebration successfully drew a large number of visitors, fostering a love for literature and cultural exchange, embodying the spirit of "reading equals love, books equal love."
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.