Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Apple's Vision Pro goggles unleash a mixed reality that could lead to more innovation and isolation
AI In-Brief
Thailand News in Brief
Thai PBS World
Thailand and the world, every day
AI can make mistakes. Please double-check.
Apple's Vision Pro goggles unleash a mixed reality that could lead to more innovation and isolation
14 Sept 06:10Key points summarised by AI
Apple's Vision Pro headset impresses reporters with its sophisticated mixed reality technology, offering an intuitive and immersive user experience that combines virtual and augmented realities.
The device presents significant potential upsides, including enhanced business productivity, collaborative tools, and unparalleled entertainment through stunning 3D visuals and immersive content.
Despite its advanced design, the Vision Pro faces challenges due to its high $3,500 price point, limiting initial widespread adoption, and raises concerns about potentially deepening digital isolation and screen addiction as the technology becomes more accessible.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.