Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Thailand and Korea strengthen commercial ties
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Thailand and Korea strengthen commercial ties
13 Sept 11:10Key points summarised by AI
South Korea's Gyeonggi Province hosted G-Fair ASEAN+ 2023 in Bangkok, celebrating 65 years of diplomatic relations and bringing its largest-ever delegation of 227 companies to Thailand.
The event underscored Thailand's strategic importance to South Korea, with Gyeonggi Governor Kim Dong-yeon highlighting the province as a hub for industry, future mobility, and digital innovation.
Commercial cooperation has surpassed expectations, with Thai exports to South Korea reaching 35 billion baht in 2022, exceeding a three-year target and increasing by 19% from the previous year.
The fair aims to foster diverse exchanges, explore business potential, and forge new partnerships, leveraging Thailand's manufacturing capabilities with Gyeonggi's innovative technologies for mutual benefit in global markets.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.