Nationwide crackdown launched on illegal nominee shareholders and land holdings
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Wild Himalayan cherry trees cast a spell across Thailand's northern mountains
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Wild Himalayan cherry trees cast a spell across Thailand's northern mountains
14 Sept 04:32Key points summarised by AI
Thailand's northern mountains transform into a breathtaking spectacle from January to February as Wild Himalayan Cherry trees, locally known as “Nang Phaya Suea Khrong” or Thai Sakura, burst into vibrant pink bloom.
These delicate blossoms create a mesmerizing display against lush greenery, offering a dreamlike atmosphere and a visual feast for visitors seeking natural beauty within Thailand.
Key provinces like Chiang Rai, Chiang Mai, Nan, and Mae Hong Son feature distinct and enchanting cherry blossom destinations, ranging from scenic terraced tea plantations to serene national parks and cultural villages.
Phitsanulok's Phu Lom Lo, once a treeless grassland, now boasts an ethereal landscape of soft pink and white blooms, a testament to a successful reforestation effort that planted over 300,000 cherry tree seedlings.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.