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Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Princess captures home and the world in ‘Theirs and Ours’
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Princess captures home and the world in ‘Theirs and Ours’
13 Sept 07:52Key points summarised by AI
HRH Princess Maha Chakri Sirindhorn's 'Theirs and Ours' exhibition showcases her photographic talent, echoing her late father King Rama IX's passion, featuring moments from 2022-2023.
The collection primarily captures scenes from her 'home' in Thailand, alongside select international journeys, reflecting her personal perspective and experiences.
Her photographs span diverse subjects, from intimate pet portraits and daily Thai life to historical artifacts and global landmarks, often infused with her characteristic humor and wisdom.
The exhibition offers a unique window into the Princess's world, particularly showcasing her post-pandemic focus on observing and documenting her immediate surroundings.
Ultimately, 'Theirs and Ours' shares her profound journeys, fostering empathy and celebrating shared humanity through the lens of diversity.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Yesterday 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.