Nationwide crackdown launched on illegal nominee shareholders and land holdings
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Welcome to the heart of Southeast Asia’s gem – Thailand
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Welcome to the heart of Southeast Asia’s gem – Thailand
14 Sept 13:01Key points summarised by AI
The 42nd annual Thailand Tourism 2024, held from March 28 to April 1 in Bangkok, showcases the nation's diverse culture, crafts, and culinary delights, aiming to propel tourism forward.
The event features nine thematic villages, each spotlighting distinct regional attractions and traditions like Songkran and Lanna New Year, integrating cultural richness with modern technology.
Industry professionals and expert speakers delve into pivotal topics such as travel trends, marketing strategies, and the future of sustainable tourism.
A dedicated Net Zero Zone emphasizes Thailand's commitment to sustainability, outlining goals and projects for a greener tourism industry, including low-carbon routes and industry awards.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Yesterday 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.