Nationwide crackdown launched on illegal nominee shareholders and land holdings
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Chiang Mai: A dive into tradition and water splashing
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Chiang Mai: A dive into tradition and water splashing
14 Sept 04:40Key points summarised by AI
Chiang Mai's Songkran festival, 'Paa Wenee Pee Mai Mueang Chiang Mai,' runs from April 4-16, celebrating the Thai New Year and its UNESCO intangible cultural heritage status.
The festival seamlessly blends spiritual Lanna traditions, including collecting sacred water, ceremonial Buddha bathing, and citywide processions of Buddha images, with vibrant cultural exhibitions.
On April 13, the official Thai New Year day, a spectacular procession of Phra Buddha Singh culminates the spiritual festivities, offering blessings for prosperity and good fortune.
Beyond ancient rituals, visitors actively engage in playful water battles at iconic locations like Tha Phae Gate, immersing themselves in the joyous 'water festival' aspect of Songkran.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Yesterday 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.