Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Lessons in destiny: Dr Sumet Tantivejkul’s autobiography launched
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Lessons in destiny: Dr Sumet Tantivejkul’s autobiography launched
14 Sept 00:55Key points summarised by AI
Dr. Sumet Tantivejkul's autobiography, "Chivit Nee Chata Likit" (Destined Life), chronicles his 84 years, sharing life lessons and his philosophy of embracing destiny while actively shaping his path.
A significant portion details his over 30 years serving the late King Rama 9, who personally mentored him in sustainable and rural development projects.
The book reveals his challenging early life, including a difficult childhood and service during the Indochina War, contrasting with his current role as a leader in sustainable development.
As Secretary General of the Chaipattana Foundation, Dr. Sumet remains committed to the late King's development initiatives, driven by the King's final words about unfinished work.
All proceeds from the book, launched at the National Book Fair 2024, will be donated to the Chaipattana Foundation to support its ongoing projects.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Yesterday 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.