Nationwide crackdown launched on illegal nominee shareholders and land holdings
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Beauty in a Bottle: grooming secrets and traditions in Southeast Asia
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Beauty in a Bottle: grooming secrets and traditions in Southeast Asia
10 Sept 16:40Key points summarised by AI
Southeast Asian beauty traditions are deeply rooted in nature and cultural values, influencing diverse beauty standards ranging from flawless complexions to the popular 'glass skin' look.
Traditional hair care practices, though waning, utilize natural ingredients like rice water for strength and growth, and gugo bark as a natural shampoo, reflecting an enduring connection to indigenous remedies.
Skin care rituals emphasize natural resources, incorporating therapeutic bathing, exfoliants such as tamarind and turmeric, and natural cleansers and moisturizers like coconut oil and various plant extracts.
Ancient beauty practices also included natural sun protection from ground tree bark, demonstrating a holistic approach that leveraged the environment for comprehensive skin health and vitality.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Yesterday 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.