Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
‘Unretirement’ - why more Thai retirees are returning to work
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‘Unretirement’ - why more Thai retirees are returning to work
11 Sept 09:02Key points summarised by AI
Thailand's 'unretirement' trend addresses a shrinking workforce by leveraging the extensive experience and knowledge of its growing aged population.
Retirees offer valuable mentorship, flexibility, and cost-effectiveness, making them attractive hires for companies seeking to fill labor gaps and train younger employees.
While seniors bring benefits, challenges like outdated skills and potential ageism at operational levels necessitate government investment in retraining and companies offering flexible work arrangements.
For many Thai seniors, returning to work is a financial necessity, driven by insufficient pension systems and widespread debt, rather than a personal choice for engagement.
The current pension system often fails to provide adequate income, highlighting a critical need for reforms to ensure financial security and dignity for the elderly in Thailand.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.