Nationwide crackdown launched on illegal nominee shareholders and land holdings
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Why a tidy home makes for a tidy mind
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Why a tidy home makes for a tidy mind
12 Sept 09:28Key points summarised by AI
Imyada Ruanphu transformed her lifelong passion for tidiness and organization into a successful career, launching Meaw Bin Home Organizer Co., Ltd. in Thailand.
A clean and clutter-free home directly contributes to a 'tidy mind,' fostering happiness, relaxation, improved mood, and reduced stress and anxiety for individuals.
Home organizers provide distinct services from cleaners, focusing on creating functional systems, optimizing spaces, and clearing clutter to bring order to living environments.
Imyada's company has positively impacted over 500 families, helping clients, including those with depression or anxiety, achieve mental clarity and calm through organized spaces.
Anticipating growing demand, Imyada plans to expand by offering comprehensive courses in home organization and advocating for its inclusion in educational curricula, emphasizing its role in self-care and mental well-being.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.