Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
A community-based on-demand platform helps promote fairness and inclusion
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A community-based on-demand platform helps promote fairness and inclusion
13 Sept 11:41Key points summarised by AI
Traditional online delivery and ride-hailing platforms generate widespread dissatisfaction among drivers, vendors, and consumers due to unfair practices, high commissions, and lack of transparency.
Tamsang-Tamsong emerges as a non-profit, community-based platform, initiated by Chulalongkorn University and local stakeholders, aiming to empower users and support local economies.
The platform promotes fairness through transparent pricing, collective ownership, and a no-penalty queuing system for drivers, offering a stark contrast to commercial app models.
Designed with direct community input, Tamsang-Tamsong provides flexible work opportunities and an accessible interface, enhancing livelihoods and fostering a sense of belonging for diverse community members.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.