Nationwide crackdown launched on illegal nominee shareholders and land holdings
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
How Thailand’s Gen Z is spending, travelling, and redefining work
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How Thailand’s Gen Z is spending, travelling, and redefining work
11 Sept 02:30Key points summarised by AI
Thailand's Gen Z, a cohort of over 11 million, are a powerful force redefining spending, work, and lifestyle with a mobile-first, values-driven, and travel-hungry approach.
They prioritize travel experiences, with 70% planning multiple trips, favoring domestic getaways and Japan, and employing smart hacks to maximize their budgets.
Over a third engage in side gigs, valuing work-life balance and demanding flexibility, meaning, and mental health support from employers, often quitting jobs that don't align with their values.
While aiming for financial freedom and actively saving, many live paycheck-to-paycheck, utilizing digital tools to manage their finances effectively.
As digital natives, they use social media as a primary truth filter, trusting creators over traditional ads, and expect authenticity and interactive communication from brands.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.