Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
‘Claw’ arcade-style machines need tighter regulation - NGO
AI In-Brief
Thailand News in Brief
Thai PBS World
Thailand and the world, every day
AI can make mistakes. Please double-check.
‘Claw’ arcade-style machines need tighter regulation - NGO
13 Sept 05:06Key points summarised by AI
A survey found 94% of youth played 'claw' machines, with 23% playing almost daily and some spending up to 3,000 baht per session, often resulting in financial loss.
The Young People Against Gambling Network warns that despite their appeal, these machines pose potential gambling-related risks to children and young people.
Although 'claw' machines fall under the Gambling Act of 1935, enforcement is complicated by unclear laws and divided authority between provincial governors and police.
NGOs advocate for tighter regulation and a dedicated office to oversee 'claw' machines, while operators seek clearer government guidelines and express readiness to comply with the law.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.