Nationwide crackdown launched on illegal nominee shareholders and land holdings
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Michelin stars align to serve hope on a plate
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Michelin stars align to serve hope on a plate
10 Sept 21:04Key points summarised by AI
Eight Michelin-starred chefs will headline the UNICEF Blue Star Gala 2026, uniting their culinary expertise to launch the #HungryForHope campaign and address Thailand's child malnutrition crisis.
The initiative confronts the "double face" of malnutrition, tackling both child stunting and the alarming rise in childhood obesity rates across Thailand.
Chefs advocate for valuing ingredients, connecting rural producers with urban consumers, and making nutritious food appealing and accessible to inspire healthier eating habits in the next generation.
The gala aims to raise critical funds for UNICEF, supporting programs that ensure every Thai child has access to fresh, safe, and nutritious meals, fostering sustainable health nationwide.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Yesterday 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.