Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Running for recovery: a powerful tool for a better life
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Running for recovery: a powerful tool for a better life
14 Sept 15:56Key points summarised by AI
The 'Recovery Run' event, organized by the Office of the Narcotics Control Board (ONCB) and partners, leveraged running to promote physical and mental well-being for individuals recovering from substance abuse.
A primary goal of the initiative was to foster public understanding of addiction, cultivate a supportive social environment, and actively dismantle the significant social stigma that impedes recovery.
Officials underscored the vital importance of family and community support, urging empathy and comprehension to help individuals rebuild confidence and successfully reintegrate into society.
The event highlighted that successful recovery necessitates a holistic balance of mind, body, and spirit, with physical activities like running playing a crucial role in enhancing mental and emotional resilience.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Today 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.