Nationwide crackdown launched on illegal nominee shareholders and land holdings
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Tapping the keys: Society’s love affair with the manual typewriter
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Tapping the keys: Society’s love affair with the manual typewriter
10 Sept 19:08Key points summarised by AI
Manual typewriters, once revolutionary office tools, have largely been replaced by modern technology but retain a devoted following among enthusiasts and specific professionals.
Users are drawn to typewriters for the unique tactile experience, the demand for concentration each keystroke requires, and the absence of digital distractions, fostering a more deliberate writing process.
Beyond nostalgia and aesthetic appeal, typewriters offer a secure, offline option for confidential documents, making them relevant in certain legal or governmental contexts.
Though increasingly rare, typewriters are still found in artistic projects, museums, and private collections, valued for their visual charm and symbolic connection to a simpler era.
They endure as a cherished reminder of the past, appreciated for their distinct qualities that enhance creativity and instill discipline in the writing process.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Yesterday 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.