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“SPEAK UP – Never Surrender”: Art Gives Voice to Consumer Rights

12 Sept 02:25 Key points summarised by AI

The "SPEAK UP – Never Surrender" exhibition at the Bangkok Art and Culture Centre (BACC) leverages art to amplify consumer grievances and advocate for rights in Thailand.
It features contrasting artistic approaches: Booncherd Khem-ngern's stark black-and-white storyboards depict systemic consumer problems, while Jarinee Metheekul's vivid portraits capture the personal impact and emotions of those affected.
The exhibition highlights critical consumer issues such as unfair rental contracts, hazardous urban infrastructure, unaffordable public transport, and online fraud, aligning with the Thailand Consumers Council's 2026 agenda.
Its central message empowers individuals to understand and exercise their rights, emphasizing that collective voices can challenge injustice and prevent societal acceptance of unfair practices.
Ultimately, the exhibition demonstrates art's powerful role in translating complex consumer statistics into relatable human experiences, fostering engagement and driving advocacy beyond traditional reporting.

Yesterday 15:13 Key points summarised by AI

"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.