Nationwide crackdown launched on illegal nominee shareholders and land holdings
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Nice and sweet: the traditional treats we love
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Nice and sweet: the traditional treats we love
13 Sept 17:01Key points summarised by AI
Traditional Southeast Asian snacks are deeply embedded in culture, evoking childhood memories and fostering social connections, yet face challenges from modern fast food.
Staple ingredients like versatile rice and flavorful coconut are fundamental to these diverse treats, showcasing unique regional flavors across countries like Thailand, Indonesia, Vietnam, and Malaysia.
Beyond taste, these snacks serve as a cornerstone for social bonding, reflecting hospitality, community, and intergenerational traditions during festivals and family gatherings.
Despite their rich cultural significance and diverse regional varieties, traditional snacks struggle to adapt to fast-paced urban lifestyles and compete with the rise of Western fast-food chains.
Bright at Midnight: Conceptual echoes of Bas Jan Ader Arrive in Bangkok
Yesterday 15:13Key points summarised by AI
"Bright at Midnight" marks the first institutional exhibition in Asia of Dutch conceptual artist Bas Jan Ader, showcasing his enigmatic work at Bangkok Kunsthalle until January 10, 2027.
The exhibition delves into Ader's legacy, exploring themes of vulnerability and the ephemeral, made more poignant by his 1975 disappearance at sea during an art project.
It encourages viewers to engage with art beyond its material form, featuring key pieces like "Thoughts unsaid, Then forgotten," "Light vulnerable objects threatened by eight cement bricks," and the haunting film "Launch of the Ocean Wave."
A highlight is the planned live transformation of "Light vulnerable objects threatened by eight cement bricks" in 2026, where ropes will be cut, creating a new layer of art from the destructive impact.
The exhibition challenges conventional art consumption, advocating for a deeper appreciation of conceptual and research-driven artistic practices over mere fascination with art as an asset class.